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Best Production Switchers for live production

crews cutting a show as it happens, no second take

Count the inputs you need and then look at what else the box has to do at the same time, because on a live show the switcher is rarely only switching. It is usually also recording isolated feeds, holding the graphics, feeding a stream and sending a clean output to the room, and each of those is a resource the same unit is spending.

Isolated recordings are the one worth insisting on. A show cut live with every camera also recorded separately can be rebuilt afterwards; the same show recorded only as the programme output cannot. There is no second take, so buy the version that captures more than the decision you made in the moment.

What matters for live production

  • Inputs for the cameras plus the sources you forgot to count
  • Isolated recording of each camera, not just the programme cut
  • A clean output for the room, separate from the stream feed
  • Controls an operator can find without looking down

Our picks

Production Switchers for live production

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