Say hello to the newest addition to Panasonic's cinema camera line.
The Cinema VariCam LT features outstanding image quality that allows you to achieve your "VISION".
The advanced grading tools, in-camera dailies and proxy recording capabilities that are built
into the VariCam LT are a "REVOLUTION" in streamlining workflow.
The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications
as the larger VariCam 35 cinema camera. The super 35mm image sensor,
which is the same imager as VariCam 35, features wide dynamic range,
an expansive color gamut, and high sensitivity for 4K image acquisition.
It has dual native ISO settings of 800 and 5000.
The native 5000 ISO allows for clean shooting in very low light situations.
Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation
or use on gimbals and drones.
One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices.
The EF mount*1 can be removed by an end user and replaced with a PL mount (optional).
This allows for even greater versatility in lens selection when shooting with the VariCam LT.
The VariCam LT workflow is very similar to that of the VariCam 35.
Both cameras have a dual codec recording function that allows the user to record a primary or "main" codec
as well as a smaller proxy file. In addition, each camera offers an in-camera color grading function
and support for AVC-Intra 4K and Apple ProRes*2 codecs. Join the "REVOLUTION" and achieve your perfect "VISION".
Utilizes the same Super 35mm 4K native sensor and superb imaging capabilities as the VariCam 35, but with significant reductions in size, weight and price.
14+ stops of dynamic range in V-Log, plus the renowned VariCam image quality and color science.
Dual native 800/5000 ISO imager. With ISO5000, you see more detail than the human eye at low light levels (without adding noise).
Image handling in multiple formats ranging from 4K, UHD, 2K, HD and HD ProRes, all fully capable of High Dynamic Range (HDR) capture.
New Codecs: AVC-Intra2K-LT and AVC-Intra-LT for capturing frame rates up to 240fps.
EF mount accommodates a wide choice of lenses for smaller cameras; can be switched out to a robust standard 35mm PL mount.
XpressP2 card slot recording for all formats including high frame rate and HD/2K/UHD and 4K recording; SD slot for high-resolution proxy recording as well ad proxy files for offline edit/color grading.